“Speed and silence are paramount for capturing Production Stills, particularly on indoor sets full of important people that mustn’t be disturbed. The common obstacle is a lack of light pointing at the crew; this makes it incredibly difficult to get well-exposed images with a deep depth of field, and even harder to get subjects both from behind and in front of the camera equally visible. Often I’m forced to rely on the high dynamic range capabilities of my full frame cameras, and if I can’t capture both cast and crew together in one shot, I’ll aim for strong examples of each on their own.”